Reflecting the direct physical connection between our world and the sky in which it spins, the pattern on Earth is the same as it is in the heavens. “On Earth, as it is…” Acrylic on panel 24×48 in 2012 This painting is currently unavailable for purchase. ... Continue Reading
An exploration of our shared cosmological sense of place— the fixed point of the cold, north star anchors the motion of our continued journey as our life continues below. “Our Earth is not a cold, dead place” Acrylic on panel 24 in x 48 in 2011 This painting is curr ... Continue Reading
One of a series of three experimental works painted for the “Paradigms of Perception” show. The piece incorporates several texture layers to diagrammatically represent a macroscopic image of a human iris. The central image is a contact exposure of photo-sensitive colloidal em ... Continue Reading
One of a series of experimental works painted for the “Paradigms of Perception” show. The piece incorporates several texture layers to diagrammatically represent a macroscopic image of a human iris. The central image is a contact exposure of photo-sensitive colloidal ... Continue Reading
One of a series of three experimental works painted for the “Paradigms of Perception” show. The piece incorporates several texture layers to diagrammatically represent a macroscopic image of a human iris. The central image is a contact exposure of photo-sensitive coll ... Continue Reading
A southwestern Ontario field, ploughed, dry and cracked waits in the early spring for the rain to come. 24x24in Acrylic on panel 2011 Private collection of Lynn Schmidt Continue Reading
This abstract evokes a landscape that lies between the urban and the primal. An experiment in inclusions, the texture of the dark water is created with a layer of glass beads incorporated into the glaze that trap the reflected light. 24x24in 2011 acrylic & glass on canvas P ... Continue Reading
This piece is the fourth large grass themed work to date. The grass in this painting is a negative texture created solely using a palette knife, in contrast to earlier approaches which used a combination of extrusion and knife-work. The aim was to explore a stronger use of deep p ... Continue Reading
water (detail), by nik harron, 2001 This final painting from the original landscape series examines the abstract quantum duality at the heart of our understanding of reality which represents for me a completely mental relationship with nature. It is a benign opposite to where the ... Continue Reading