Painted for the The Brush Off at THE MUSEUM. Painted in the first round— the OPEN round where I was free to paint whatever I wanted. “Open” 18×18 in Acrylic on canvas 2012 Photograph by Joe Martz This painting is in the private collection of Carol Moogk-Soul ... Continue Reading
Painted for the The Brush Off at THE MUSEUM. Painted in round 3— the HEAR round where each of 10 artists interpreted a short clip of music. “Here” 18×18 in Acrylic on canvas 2012 Photograph by Joe Martz This painting is in the private collection of Amanda & ... Continue Reading
Reflecting the direct physical connection between our world and the sky in which it spins, the pattern on Earth is the same as it is in the heavens. “On Earth, as it is…” Acrylic on panel 24×48 in 2012 This painting is available for purchase. Continue Reading
As the warm Earth turns the cold sky above appears to spin around the north star. 12x12in Acrylic on canvas 2011 This painting is available for purchase $150 unframed, $200 framed. Continue Reading
Above a stubborn outcrop of rugged rock, the stars serenely continue their parade around the fixed point. “Fixed point” Acrylic on panel 12 in x 12 in 2011 This painting is available for purchase $150 unframed, $200 framed Continue Reading
An exploration of our shared cosmological sense of place— the fixed point of the cold, north star anchors the motion of our continued journey as our life continues below. “Our Earth is not a cold, dead place” Acrylic on panel 24 in x 48 in 2011 This painting is avai ... Continue Reading
This northern abstract is an homage to Galileo. Although considered apocryphal, Galileo is rumoured to have muttered “E pur si muove!” (And still, it moves!) before the ecclesiastical court that forced him to recant his heliocentric view of the universe and placed him ... Continue Reading
A soft, dream-like image of an early morning in Algonquin Park. In the mist, on the still water, looking east waiting for the sun to rise. This painting captures the experience of being between white emptiness and within a defined landscape as mist lifts in the dawn. Lifting Mist ... Continue Reading
I’m often asked by people who have seen the early stages of one of my paintings why I don’t ever exhibit works at the texture stage and forgo the glazing stage that brings colour to the paintings. This piece is probably about as close to that as I’ll get in the ... Continue Reading