A larger exploration of the same theme as “Here.” The three-dimensional nature of the center is highlighted and accentuated though strongly directional lighting. Painted as an exploration into new techniques as part of the “Knifeworks” series. “Sound ... Continue Reading
On the hills leading down to the water, the trees have turned yellow, highlighting the random trees of another species. “Reflecting on Autumn” 12 x 12 in Acrylic on panel 2012 This painting is available for purchase, $150 unframed, $200 framed. Continue Reading
Why I’m participating— an atheist’s perspective on the intersection of faith and art. Currently ArtsVoice London is seeking to engage with artists to participate in a 3-day workshop “Way of the Streets” to create works of public art that address issues ... Continue Reading
Painted for the The Brush Off at THE MUSEUM. Painted in the first round— the OPEN round where I was free to paint whatever I wanted. “Open” 18×18 in Acrylic on canvas 2012 Photograph by Joe Martz This painting is in the private collection of Carol Moogk-Soul ... Continue Reading
Painted for the The Brush Off at THE MUSEUM. Painted in round 3— the HEAR round where each of 10 artists interpreted a short clip of music. “Here” 18×18 in Acrylic on canvas 2012 Photograph by Joe Martz This painting is in the private collection of Amanda & ... Continue Reading
Reflecting the direct physical connection between our world and the sky in which it spins, the pattern on Earth is the same as it is in the heavens. “On Earth, as it is…” Acrylic on panel 24×48 in 2012 This painting is available for purchase. Continue Reading
An exploration of our shared cosmological sense of place— the fixed point of the cold, north star anchors the motion of our continued journey as our life continues below. “Our Earth is not a cold, dead place” Acrylic on panel 24 in x 48 in 2011 This painting is avai ... Continue Reading
One of a series of three experimental works painted for the “Paradigms of Perception” show. The piece incorporates several texture layers to diagrammatically represent a macroscopic image of a human iris. The central image is a contact exposure of photo-sensitive colloidal em ... Continue Reading
One of a series of experimental works painted for the “Paradigms of Perception” show. The piece incorporates several texture layers to diagrammatically represent a macroscopic image of a human iris. The central image is a contact exposure of photo-sensitive colloidal ... Continue Reading